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The 90% of guitar that nobody practices

I've been a professional musician for over 25 years. The last seven, I've worked as a guitarist and music director on cruise ships, playing every single day, different material, different styles, different situations.

And I can tell you this with absolute certainty: 90% of my job is accompanying. That's the reality.

Steve Lukather said it in an interview with Rick Beato. "I've been paid to play rhythm guitar 90% of the time." He's right. I've lived it.

But most guitarists have it backwards. They spend 90% of their practice time on the 10% of what they'll actually do on stage.


Social media shows you the shredding. The solos. The fast runs, the flashy stuff. And look, I love all of that. George Benson, Joe Satriani, Mateo Mancuso, Guthrie Govan. Incredible players, and I grew up loving what they do.

But the real return on your practice time isn't in the solos. It's in rhythms. Voicings. Styles. Accompaniment. And above all, fundamentals (starting with time).

If the click track makes you nervous every time you record, that's your sign. That's where your practice needs to go first. Before voicings, before styles, before anything else. A guitarist who can't lock in with a click is a guitarist nobody calls back.

You're like a striker who only waits for the perfect pass. Meanwhile, the whole game is happening around you.

The real question is this: can you accompany a singer? Can you hold it down when there's a piano, another guitar, and a bass all playing at the same time? Do you have enough voicings, enough rhythmic vocabulary, enough stylistic range to serve whatever the moment requires?

If the answer is "I'm not sure," it's time to look honestly at what you're practicing and why.

 
 
 

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